Anton Webern: Klavierstück M 277
Weberns Frühphase der Zwölftontechnik: die Skizzen zum Klavierstück M 277 | Bemerkungen zum Klavierstück M 277 im Kontext des Skizzenbuch Nr. 1
DOI:
https://doi.org/10.70482/jasc.2020.17.200-219Keywords:
Anton Webern, Sketches, Twelve-tone methodAbstract
Michael Matter presents his reflections on the sketch of a piano piece by Anton Webern as a comprehensive consideration of the written space. The distribution of the notations on the paper is visualised in an abstract manner. Regina Busch, on the other hand, focusses on analytical and chronological aspects.
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Published
2020-10-01
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